Barbara Samuel O'Neal is the author of more than thirty award-winning novels, including THE LOST RECIPE FOR HAPPINESS and

The Secret of Everything
A native of Colorado, Barbara loves teaching, travel, reading, writing, yoga, walking, food, cooking, photography and...okay, reality television.
|
MAYBE THIS TIME
Jennifer Crusie
St Martin’s Press
ISBN 978-0-312-30378-5
It has been six years since Jennifer Crusie has written a solo novel. Friends, it was worth the wait. Maybe This Time, published by St. Martin’s Press on August 30th, is her best book yet. It’s also another step in her long, interesting career, from category romances to big, funny contemporary romances to suspens-y books written with Bob May, to….this.
Maybe This Time will draw a cheer from readers who adored Bet Me (2004 RITA award winner) and her earlier romances for St. Martins, but it is a step outside romance into women’s fiction, in a story about a woman who is discovers herself, saves some children, and along the way, realizes that maybe she has some lingering feelings for the husband she left behind.
Oh, and there are ghosts. Real ghosts. I love ghosts, and almost no one takes them seriously enough for my tastes. Crusie got it. But then, she gets writing. She gets the poignant aspects of humor for women. She gets the tangled communication between men and women, and how that impacts our love stories. She gets love stories, for that matter. This book is smart and funny, as all Crusie work is, but it’s also wise and rich in the best, most vivid details, and best of all, powered by a fierce heart of understanding.
Andie Miller is ready to get married again, but before she can walk down the aisle with her fiancé Will, she has to actually divorce the husband she left ten years ago. North Archer is a lawyer who has faithfully sent an alimony check to Andie every month for the entirety of that ten years. When Andie shows up at his office to announce her intention to wed, North asks one last favor. Andie, who is both unconventional and kind, is the only person he can trust to assess the situation with North’s two young wards, who are marooned in a supposedly haunted house they will not leave. Andie, of course, refuses—she doesn’t need to be anywhere close to North now that she’s made up her mind to get this done—until he offers her ten thousand dollars for one month of work. It would solve a lot of problems, that money. Then he throws in the kicker: the kids are alone and they need somebody. Andie agrees, leaving her fiancé safely in his own apartment.
What she doesn’t expect are those ghosts, or to fall in love with a little girl, or to discover that she isn’t really over North at all.
Not many writers would have the huevos to tackle Henry James and the Turn of the Screw, but luckily for us, Crusie never backs away from the ideas and themes that enchant her. Maybe This Time is a furious page turner, and just scary enough that I didn’t especially want to go downstairs to the basement alone to finish reading it. The ghosts are as well drawn as the rest of the cast, and so is the creepy, atmospheric house with its turrets and sad history.
But what Crusie does better than anyone is find the heart of why we fall in love with a particular person, and how the yearning to be seen and then have a witness to share our lives with, are such powerful hungers in each and every one of us. By turns kind and fierce and graceful, Maybe This Time is the one book this fall you will want the minute it hits the stands.

A BED OF SPICES is a wildly romantic tale of forbidden love set in the turbulent middle ages. Solomon and Rica meet by chance at the herbalist’s cottage and fall deeply in love despite the divisions of religion, class, and expectations — but how can they possibly find a happy ending with so many things stacked against them? Dark, beautiful and ultimately uplifting, this is a romance you won’t easily forget.
Only $3.99!
READ AN EXCERPT FOR FREE
THE STORY BEHIND THE STORY
This was my first historical novel. It came about when I discovered two things: that St Valentines day was celebrated in the middle ages, and also, that European Jews were persecuted during the plague. Which might make you think this is much too grim for your reading pleasure, and I’ll admit it is a dark book, but it is also a romance. It is focused on the love story between these two young, passionate, and conflicted human beings feel for each other, and what that might cost them.
Because of the unusual setting and storyline (which was quite quite different at the time), the book did not sell a huge number of copies, but as time goes by, it continues to attract devotion from some readers. This combination has led to a shortage of copies in circulation, and new editions are quite pricey. One of my favorite comments over on GoodReads said that she tended to be cheap, but paid $15 for her copy and found it worth every penny. Thank you, my dear.
One of my favorite reviews is here: http://www.likesbooks.com/cgi-bin/bookReview.pl?BookReviewId=1389. , where it was awarded Desert Island Keeper status by Vivien Fritsche.
Here is the original cover, which I never liked and ended up on somebody else’s historical romance at some later date. How do you like the one my cousin Sharon and I came up with (above)? Does it appeal to you?
If you’d like to look for it in a print edition, you can try some of these sellers:
Amazon new and used copies of A Bed of Spices. Recommend you skip the $2000 edition.
Barnes and Noble approved sellers of new and used copies of A Bed of Spices.
I’m at the beginning of a new book. This is probably my favorite part of writing—every possibility exists. There is a freshness to the material, a scent of dew and dawn filling my work hours. There is always the chance that this time I will have matured enough, learned enough, that I will be able to draw the material from the Land of Book Children with such care and expertise that it will be perfect.
That never happens, of course. I love many of the books that have flowed through me, and feel a mother’s pride over every single of one of them. But never once has one emerged on the page just as it exists on the other side of the veil. I am only human, not an angel or a goddess. I show up and do the best I can.
But right now, I haven’t yet marred this new book. It’s still wet behind the ears, delicate and full of potential. This stage of development is what makes non-writers think they could write books—they have a great idea, they have ideas for structure and originality, and it’s so much fun to think about the book project that a person can spend endless hours daydreaming about it. It’s exciting to imagine turning points, discover the details of characters. I love it when the girls in the basement send up a picture of something I know but would never have thought to use this way, like the gorgeous, solid houses built of red sandstone blocks in Pueblo. There is a whole neighborhood with street after street of mansions built of this lovely material. The girls said, “Hey, what about this?” and I realized it works perfectly. The house, the neighborhood.
There are rituals for this process. I like to start collecting a soundtrack. The cornerstone piece for this soundtrack is Glitter in the Air, by Pink, because there is one line that captured me completely, and as sometimes will happen, a whole book reeled out from that starting point. (No, I will not tell you which line it is, but maybe someday, I’ll bring this up again and someone will guess.) I suspect there is some Adam Hurst again because I’m so crazy for cello right now and I like listening to his slow, melancholy strings while I write. Maybe some Sarah McLachlan
I don’t have page counts to meet each day, but instead have time requirements. I have to be at the computer by 9, after a walk with the dog, and it is weirdly important not to get online or otherwise let the world in at this stage of development. I need to be able to hear the soft voices of the novel. The world is like static, interfering with my ability to tune in.
I like to write a dialogue between me and the main character. It might sound silly, or a trick, and it is, in a way, but it also works. I say hello, and I am glad to be working with you on this. Let’s talk. Tell me about……
And I give the character a chance to respond. This is a surprisingly long standing ritual. I started it years and years ago, and it nearly always gets my imagination moving.
I dream and play. I write possible ideas for direction, play with character arcs. To really start writing, I need a pretty clear idea of the shape of a novel, the basic themes and ideas I’m working with. Most of what I will do in the first 100 pages will be more like building a skeleton than actual writing—I’m capturing motives and moods, planting stakes for support. It’s all very plain and messy, with the odd flash of beauty.
It’s a delight to be in this stage. Before anyone sees it, before things settle into solidity.
If you are a writer, do you like this stage, too? If you are a reader, is there some part of your life that mirrors this sense of fresh starts?
When I was a child, I loved going to summer camp. Girl Scout camp in canvas tents with wooden floors, or much more often church camp (probably because it was very inexpensive and my parents had four kids) in cabins housing 20 girls. It was the highlight of the summer—getting ready, gathering shampoo and following the list of “recommended” items to bring. I always brought dark green Herbal Essence shampoo, a heady smelling liquid that’s nothing like the watered down version they sell now
 Camp pic, circa mid70s. Author on far left.
We were only there for a week, Sunday to Saturday, but it seemed that entire lifetimes took place during those days. Romances and friendships built and lost, discoveries about self and place uncovered, dreams forged and reinforced. On the last day, we all had our group photo signed, and hugged each other as if all was lost, and cried our eyes out. In the backseat on the way home, I was silent and distant, lost in memories, crushed that it was over for another year.
Back home, it was a slam back into everything ordinary. The ordinary green telephone on the wall. The ordinary food. No singing. No long deep discussions about…well, anything. For days, I would be lost in mourning, sure I would never, ever have a good time again.
As an adult, I’ve come to appreciate coming home to ordinariness, but I still love getting ready for a trip, making a list, checking things off, packing special totems, creating rituals. I learned during those weeks at camp that every journey was a lifetime and I was changed by each one. Sitting in the meadow at La Foret Camp (which is, ironically, only about a ten minute drive from my current home—it wasn’t even very far away in those days), I dreamed a life for myself. I learned to connect to other travelers—my fellow campers—and I learned to think outside of the box, challenged by counselors to make us do just that. (I also learned just about every folk and bible and church song known to modern woman—and you would think that my fellow pilgrims would have appreciated that on the Camino. Somehow, they liked listening to Bethany, the trained professional opera singer better.)
Anyway.
Before I left for Europe in June, my creative well was very low indeed. I wouldn’t say dry, but a voice shouting down into it would echo for a long time before hitting water. It’s a normal part of the process, and probably because of the loss of my Sasha and the long months nursing her, I was a little more weary than usual. I also had that nagging knee injury, which is not terrible, but is sort of…annoying, you know?
Whatever the reason, I was empty and sick of working by June. The great luxury of a writing life is the time
to go wandering. I went to camp, first with CR to England and then with a group of women on the Camino, and I still wasn’t finished, because then we went to Orlando, where I spent the first half with my dearest writing buddies, and the second half with CR, playing at Disneyland.
Not only did I wander and chat and think about life in small and large ways, I read like a junkie, popping one book after another in a wild lust for story. Australian writers, English writers, a bunch of Americans. Fiction and non-fiction. Adult and young adult. Spanish and English. Reading, reading, reading, reading.
What I did not do is write. I kept a journal, as always, and I wrote the odd blog post or Facebook missive, but other than that, nothing. I didn’t think much about writing, either, and when ideas started pushing into my imagination, auditioning for the next spot, I shoved them away. Once in awhile, I took a note or two on my phone. Once in awhile, I woke up and thought, “Hmm, that has some merit.”
Mostly, I ignored every single one of them.
The result?
The well is overflowing. I’ve been in a working frenzy, sometimes working on two different things in a single day because when I’ve reached the end of the juiciness on one project, I find there is energy and excitement left for another bout, so I change locations and start work on the other one. One morning, an idea I’ve been shoving away for about two years awakened me and dragged me to the computer and didn’t let me go until well after lunch.
It’s lovely. It’s like going to camp and getting the good stuff afterward, too. Filling the well is always, always worth it, and I haven’t been taking enough time to do that. Not at all interested in travel for a little while, you understand, but I am going to go to movies a couple of times a month, and play with my collages (which I realized recently don’t have to be about books all the time) and water color pencils. I’m taking cello lessons.
It’s all material, right?
Did you go to camp as a child? Do you fill the well with travel or by some other means? What hobbies give you that sense of exuberance, whether or not you are a writer?
Finally! I have a couple of months that are a little less demanding so I can offer the voice class again this fall. It’s been almost two years! I love teaching this, and believe deeply in the power of voice, so I’ve missed it a LOT.
What it is:
A six week writing intensive designed to help each writer recognize the unique elements that form her own voice, and to recognize voice as a whole. Each week, I’ll post a set of exercises, and you will have several days to complete them. Then you will post your work to the group, and we will then discuss what elements of voice have been showcased that week. There is plenty of time to discuss questions that come up, and to address each writer’s concerns about her own voice.
The exercises are mostly timed writings, and are designed to build, week by week, to help you see what elements make your voice unique, and how you might be able to best match it to the marketplace. Are you a funny ethnic writer with a thread of poignance? A serious historical novelist with deep roots in a particular time? What influenced you to come a writer, who taught you to talk, what have you read and loved? All these elements form the developing writer.
It’s a very deep workshop, very hands-on, and I believe it can be very helpful for writers who are floundering for whatever reason–too many contest judges, too many rejections, a crazy critique group, an editor who undermined you. Maybe you aren’t at all sure where you belong in the writing universe and need to figure out where you fit. Over the years, a number of students have found their voices in all kinds of surprising and interesting ways, and have formed friendships with other writers as well.
READ THE SYLLABUS HERE
The class is SMALL, and very intimate, and I will be reading and commenting on your work personally, which is why this is more expensive than the average online workshop. I do offer two scholarships every time, so if you are aching to do this and just can’t swing it, please drop me an email at awriterafoot@gmail.com with SCHOLARSHIP REQUEST in the subject line and I’ll put your name in a hat.
Start date: August 31, 2010
Price: $225
If you are interested, send an email with Voice Workshop in the subject line to awriterafoot@gmail.com
And any of you out there who found it helpful, either online or in person, please let me know that, too.
I thought you might like to see the sisters.
More when I can actually sit up straight. After 6 days of conferencing and three of Walt Disney World, I don’t trust myself to cross the room, much less post about the conference.
Good news! We’ve been working behind the scenes to get old books into ebook format, and the first one, In The Midnight Rain, is ready.
Only $3.99!
Download for Kindle
Download at B&N
Download at Smashwords
IN THE MIDNIGHT RAIN was my first mainstream novel, a book that was published under my romance pseudonym, Ruth Wind. It was a hard reach for me at that time, a long book with stories in the past and present. There is a dog, April. There is music–the blues, which I love with a madness I’ve never been able to quantify. There is a beautiful, lost Southern man who grows orchids. And there is a community of women. It was a RITA finalist, and a favorite book on many lists.
It is more of a romance than some of my women’s fiction, but not much more than A Piece of Heaven or The Secret of Everything. Here is what people said about it at the time:
“Intriguing and absorbing.” - Sandra Kitt, CLOSE ENCOUNTERS
“In her mainstream debut, Ms. Wind blows away much of the competition with a remarkable rousing drama that touches the inner soul of the reader.” - Harriet Klausner, Book Browser Reviews
“Stunning! Powerful! Eloquent! Emotional! These are just a few of the words I’d use to describe this wonderful story. To say I loved it is a huge understatement. Ruth Wind has written a gem of a book for her breakout novel” - Kate O’Connell
“A multiple RITA award winner, Wind (aka Barbara Samuel), has many strengths that show well in “Midnight Rain.” With La Vyrle Spencer’s retirement, Wind/Samuel inherits the crown as the Queen of Heartfelt Emotion. Wind is more consistent than Spencer, indeed, than most, and her contemporary heroines are more complicated and interesting. She also gracefully delves into cultural territory that publishers often discourage romance writers from entering. Issues of race, ethnicity and class form the solid backbone of many of Wind’s novels. “In the Midnight Rain” traverses the social landscapes of an integrated east Texas small town with respect and love.” - Lynn Coddington, Contra Costa Times
from the back cover…
LOOKING FOR THE PAST… Ellie Connor is a biographer with a special talent for piecing together fragments of the past. Her latest project, though, promises to be her most challenging–and personal. Not only is she researching the life of a blues singer who disappeared mysteriously forty years ago, but Ellie is also trying to find the truth about the parents she never knew. The love child of a restless woman who died young and an anonymous father, Ellie has little to go on but a faded postcard her mother sent from a small, East Texas town–the hometown of her latest subject.
…COULD MEAN HER FUTURE
It is there that Ellie meets Blue Reynard, a man with deep roots and wide connections who may help her find answers. With a piercing gaze and cool grin, Blue is as sultry and seductive as the Southern night air. Beneath his charming surface, however, lies as soul damaged by loss. Despite her better judgment, Ellie finds herself irresistibly drawn to Blue’s passion–and his pain. But Ellie’s been lured by sweet talk and hot kisses before. How can she possibly stay with Blue when every instinct tells her to run?
Click here to read the full excerpt >
THE STORY BEHIND THE STORY
My grandmother has been telling me stories as along as I can remember, and the weft and warp of those stories was never woven in fairy tales or proverbs. Her method of instruction has always been tales of sin and redemption from real life–the triumphs and falls of women and men who were tempted and seduced by the wide array of sins–and how they paid if they fell, or how they triumphed if they resisted.
She never hurried through them–they’re laced with details as rich as one of her pecan pies–washed with a moody Southern quality and a thick kind of light. As a child, I loved doing any kind of kitchen chore with her because I knew she’d start telling stories. I lived for that sudden shift in her cornflower blue eyes, that slight unfocusing on the present as she looked the past and she would begin, “I remember when…”
Even better than the stories of sin and temptation, I loved the ones about people who had tried to do the right thing, and only made things worse. My grandma would say it was the finger of God, teaching a lesson, and we should be thankful, but I always privately wondered just exactly how you could manage to be thankful if God kept knocking you over with that finger.
There’s plenty of sin and redemption, temptation and triumph, in MIDNIGHT RAIN, which was born out of those long hours doing chores at my grandma’s side. Ellie Connor, tough and earnest, smart and vulnerable, arrives in the little East Texas town of Pine Bend to uncover the secrets of a mysterious and beautiful woman who disappeared more than a generation ago–and also do a little poking around about the mysteries of her own life. It’s there, in the sleepy, haunted little town that Ellie also finds Blue Reynard, a man as beautiful as he is lost, with a whisky-dark voice and a dangerously seductive understanding of the secrets of a woman’s heart. Blue is everything Ellie has vowed to avoid, and everything she can’t resist.
This is a story about community, about discovery and loss and the way we each find a way to get through those long rainy nights that fall in every life. It’s most especially a very sexy, emotional romance, and I hope you’ll enjoy as much I enjoyed writing it.
Oh, and by the way, Grandma makes an appearance. Bet you won’t have any trouble at all recognizing her.
|
|
Recent Comments